Las óleos de todo Phillips, Ammi
ID Image  Painting (From A to Z)       Details 
72372  
Phillips, Ammi, Betsey Beckwith
  		 Betsey Beckwith   Date between 1815(1815) and 1820(1820) Medium Oil on canvas Dimensions 77.4 X 62.4 cm (30.47 X 24.57 in) cyf
19864  
Phillips, Ammi, Cornelius Allerton
  		 Cornelius Allerton   1821-22 Oil on canvas Art Institute of Chicago.
72631  
Phillips, Ammi, Jeannette Woolley later Mrs John Vincent Storm
  		 Jeannette Woolley later Mrs John Vincent Storm   Date between 1835(1835) and 1845(1845) Medium Oil on canvas Dimensions 83.8 X 71 cm (32.99 X 27.95 in) cyf
74800  
Phillips, Ammi, Mrs Wilbur
  		 Mrs Wilbur   English: "Mrs. Wilbur (Sarah 'Sally' Stearns) Sherman (1789-1845) and daughter Sarah (1814-1872)," oil on canvas, by the American artist Ammi Phillips. 36 in. x 30 in. Yale University Art Gallery, the Teresa and H. John Heinz III Charitable Lead Trust. Courtesy of Yale University, New Haven, Conn. Date 1815 cyf
19865  
Phillips, Ammi, Mrs. Day
  		 Mrs. Day   1835 Oil on canvas National Gallery of Art, Washington D.C.
39061  
Phillips, Ammi, Mrs.John Vincent Storm
  		 Mrs.John Vincent Storm   mk140 circa 1838 Oil on canvas
72677  
Phillips, Ammi, Phillips
  		 Phillips   Date between 1815(1815) and 1820(1820) Medium Oil on canvas Dimensions 77.4 X 62.4 cm (30.47 X 24.57 in) cyf
31991  
Phillips, Ammi, Portrait of a Young Woman,possibly Mrs.Hardy
  		 Portrait of a Young Woman,possibly Mrs.Hardy   mk77 c.1812-19 Oil on canvas 30x25in
19863  
Phillips, Ammi, Reverend Jonas Coe
  		 Reverend Jonas Coe   1820 Oil on canvas.
74811  
Phillips, Ammi, Wilbur Sherman
  		 Wilbur Sherman   English: "Wilbur Sherman (1776-1856)," oil on canvas, by the American artist Ammi Phillips. 32 in. x 26 in. Yale University Art Gallery, the Teresa and H. John Heinz III Charitable Lead Trust. Courtesy of Yale University, New Haven, Conn. Date 1815 cyf
Phillips, Ammi
American Folk Artist, 1788-1865 American painter. Apparently self-taught, he began his prolific and successful career as a portrait painter c. 1811. During his lifetime, he moved several times across the borders of New York, western Connecticut and Massachusetts in search of commissions. Like many of the itinerant artists of the 19th century, he struggled to achieve pictorial solutions and a distinctive style, yet he developed so dramatically that historians originally classified his paintings as the work of two different artists: 'The Border Limner' and 'The Kent Limner'. The earliest works, from his 'Border' period (c. 1812-19), are marked by simple forms, shaded outlines and soft, pastel colours. They include ambitious full-length portraits as well as three-quarter and bust-length examples (Dr Russell Dorr, c. 1814-15; Williamsburg, VA, Rockefeller Flk A. Col.). In the 1820s he experimented with techniques and formats, developing an attention to detail and naturalism that suggests the influence of Albany portrait painter Ezra Ames. By the 1830s, the decade of his 'Kent' portraits, his compositions present his sitters as large, stylized shapes that nearly fill the canvas, while his use of rich, saturated colours creates striking contrasts of light and dark. Typically in this decade, his female sitters are shown leaning forward while male sitters sit upright with one hand draped over a chairback. Among his most appealing and successful works are portraits of children from this period. Blond Boy with Primer,



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